Beiträge von norbert_loechel im Thema „Definition Apochromat“

    Hallo Tassilo,


    nachstehend in Kursiv Roland Christens Meinung zum Thema
    (kopiert von http://geogdata.csun.edu/~voltaire/roland/musing.html )


    <i>Musings on APOs



    by Roland Christen





    "I've been told by optical engineers whom I trust that an apochromat
    brings twowavelengths to focus at the same distance rather than just one like an
    achromat does (and none for a singlet)."



    "After reading David Knisely's post and thinking about it I realized the
    below should have said that the apochromat brings three wavelengths to
    focus together and the achromat just two."



    Mike Simmons




    May I point out that this original definition: "bringing 3 wavelengths to a
    common focus and be corrected for spherical aberration at two wavelengths" came
    about historically because the very first apochromats actually did this -
    thus the definition was made to fit the example. These were the Zeiss dense flint
    apochromats (later re-invented by Mike Simmons and called the Good Glass
    Apochromat). While these lenses did indeed meet the above criteria, they did not
    have very good color correction in the violet end of the spectrum, and were
    also off more in the visual than a modern ED or Fluorite apo.



    Enter the Fluorite doublet (Tak, Vixen). These lenses also have 3 color
    crossings, however, one crossing is deep in the infrared where it really does no
    good for the visual wavelengths, especially the blue-violet end. Between C and F
    (red, yellow, green and blue-green), the color correction is much better than
    the traditional dense flint apo. The spherical correction is only null at one
    wavelength - usually at the green visual peak.



    Lastly we have the ED/fluorite triplets, of which there are now several
    makers. These lenses will typically have very low color error with 3 crossings at
    the ends of the visual spectrum, but again only one spherical null in the
    middle. The amount of sphero-chromatism at the ends of the spectrum will depend on
    aperture, focal ratio, type of ED glass used (the lower the dispersion the
    better) and the length of internal airgaps (small airgaps have no effect on
    sphero-chromatism, very long airgaps can reduce it to almost zero).



    In summary, the definition of Apo is not as simple as 3 color crossings and 2
    spherical corrections. In fact, the best possible apo would ahve no color
    crossings, but would exibit a straight line. A very shallow secondary spectrum
    with only 2 crossings can have better overall color correction than one that
    wiggles around 3 or more times. Finally, it is not the ED or Fluorite which
    determines the overall correction, rather it is the mating element. A designer will
    often not choose the mate for best color correction, rather he will choose
    one which balances all aberrations for best overall image, or one that makes the
    objective easier to manufacture.



    The choice of mate is restricted in the real world, especially for astronomical
    lenses, because glass manufacturers only pour a limited number of glasses
    in larger sizes. A lot of the more desireable glass types have been
    discontinued, or they are made in such small strip widths that they cannot be
    used for astronomical objectives. Remelting and repressing small blocks leads to
    undesireable internal properties like strain, and inhomogeneity.



    Roland Christen</i>


    Gruß
    Norbert